Answer Hazy, Ask Again!

Will
by

Christine Bernard (Goodreads Author)

Yorick's review

Oct 09, 2019  ·  edit

liked it

bookshelves: audiobooks, fantasy, thriller

I was given a free Audible audiobook copy of this title for an honest review.

This book according to the stars, is pretty good. It reads like a Twilight Zone episode, and I really like Twilight Zone. Will, the title character finds a Magic Eight Ball in a hole-in-the-wall used bookstore/novelty shop. He buys it for nostalgic reasons and races out of the store because the clerk creeps him out.

At first it seems like a normal kids' toy, but soon, its answers start having more direct impact / connection with Will's world. After that, things get weird and ominous. It drew me into the story. Like watching a horror movie, I found myself thinking the equivalent of, "Don't open that door!"

It's an entertaining read. I can't really say more about the story without leaving spoilers. If you like stories that were in The Twilight Zone, you'll like this book. If you really don't know anything about The Twilight Zone, let me say that the book is mysterious, eerie, and is a look at what a normal person might do under unexplainable circumstances. You might not want to read it alone at night. Or maybe that's the best time for a shiver!

Where Loyaties (and various characters) Lie

I was given a copy of this audiobook for free for an honest review.

Where Loyaties Lie by Rob J. Hayes, narrated by Matthew Jackson.

Pros: Exciting story with gripping (and grasping!!!!) characters. The sea is salty, the battles are brash and bashing. The characters are conflicted. The sex is part of the plot, not merely gratuitous.The actions moves from plans to battles and negotiations. The protagonist Drake is mixed in his actions, yet he is following a prophecy that was passed along by his brother. His brother also sends a woman with magical powers to watch his back. Keelin Stillwater didn't really want to follow Drake, but the circumstances seem to give him no other choice. So he does. They are pirates, so they both do exciting piratical deeds, but they both try to live with themselves. So like many a contemporary situation, "it's complicated"--which is definitely good.

Cons: I'm not really over-joyed at the Narrator. Matthew Jackson's voice keeps taking me out of the story into noticing his accents and projecting volume. There is graphic sex. I think it manages to stay outside porn, but it's close. Imagine scenes from the movie Flesh and Blood with Rutger Hauer and Jennifer Jason Leigh, except fewer minutes in the acts themselves. This will be off-putting for some listeners, and a feature for some listeners. The last negative to mention is that this is book one of a two book series. It ends with two and possibly three cliff hangers. While the book is very good, it is not stand alone. Not even a little bit.

Still, this reader / listener will be getting book two to continue the story.

Elizabeth Gilbert's fine fiction.

City of Girls is great, to begin with. There is no doubt whatever about that. Nevertheless, I am such a push-over for narrators--reliable or unreliable--that I like the main character / narrator even though I might have second thoughts about her in real life. And she wouldn't care a pin about my opinion in real life either. So that's me sorted!

I was given a free ebook version in exchange for an honest review. I liked it so much that I bought the audiobook from Audible.

But this book is worth your time and your book credit. The narrator is lively and contrary and full of life, both in spite of and because of choices that she makes. The people she knows and comes into contact with are interesting and convincing. Even though some of the issues addressed in  the book are informed by a current mindset philosophy, I find them convincing because it's happening in pre- and post WWII New York theater environment. So things that might seem unconvincing happening among residents of Levittown, PA, seem more than plausible in New York at the time.

Vivian Morris (in her 90s) receives a letter from a young woman, asking her what Vivian was to her father. Thus, the reader is hooked into discovering what Vivian was / is to the young woman of the letter and her father. All the rest of the adventures and descriptions--most of which have nothing directly to do with the mysterious father--are shared in answer to that letter. On the one hand, that's a writing gimmick. In this case, it works well and doesn't feel as artificial as it sounds.
Through story events Vivian shares her developing philosophy of life, love, and human existence: convincing without seeming didactic or preachy. This book is worth your time and pays off in hours of enjoyment.

I Should have saved this for November, but I found it now

This is a post I wrote on another blog, back in 2009. I just liked it (a clue that it may have better remained lost...). Anyway, let me know if you think it's helpful.

   How do we start this novel thing? In the Danny Kaye movie (historical reference, ignore and move on…) about Hans Christian Anderson, when asked about his stories, Anderson says that he tells the stories to see what happens next. This suggests that his story-making style was to start with a character in a situation but not have the plot already outlined ahead of time. Another art that makes use of this technique is improv—actors are given a situation and who their characters are and have to make up a scene on the fly.

   In that vein, who are your main characters? This is one way to begin writing. Write down the things you know about two or three of them (the main character and the other character that is most involved with the main character). In technical terms these would be called protagonist(s) and antagonist(s), but you know what you mean. Name is a good start, but if for some reason that causes you to stop while looking for the perfect name or the name that “best fits” your character(s), just use a place-filler (like Bob or Kathy) and move on.

   Then write things you know about them—age, sex, what do they want? How do they look? What do they think about things that matter in their home, hangout, or habitat? How much do they care about what others think or about what others think about them? Do they spend time imagining cars or colleens? Dolls or danger boys? Something completely different?

   Once you have the two opposing characters put them down somewhere with something they want or don’t want the other to have or do and see what happens. Write down what you see. Rinse and repeat.